An associate of Spate, who asked a newspaper reporter for anonymity, said that Spate had already invested $30,000 in his new venture. The reporter did the math and he came up with the rocking chairs only costing Spate around $9,500. Pray tell, where did the other $20,500 go? Spate’s spokesman said nothing to enlighten the reporter. ”Well, there’s always expenses in things like this, you know,” he told the scribe.
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As I reflected on this pastor’s statement, a couple of thoughts came to my mind. One is that his statement was a very personal one that indicated a preference that was important to him and was a value I needed to honor. An additional thought though was about what actually makes a chair a ”church chair”. Here is an expansion on those thoughts with three observations as to what really is needed for a chair to be labeled a ”church chair”.
”They do this in London and Paris,” Spate told Clausen. ”And it would undoubtedly be good for New York City.” Clausen saw no problem with Spate’s line of thinking, so he readily agreed; albeit without first consulting with the other member of the Park Commission. As a result, Clausen graced Spate with a five-year contract, allowing Spate to place his rocking chairs in all the New York City parks. With the ink still not dry on his contract, Spate immediately ordered 6,000 chairs, costing about $1.50 each. If Spate’s projections were correct, these chairs would earn him an estimated $250-$300 a day.
Nothing incites the general public more than someone trying to charge for something that was once free. Yet that’s exactly what entrepreneur Oscar F. Spate tried to do in the New York City parks in the blistering summer of 1901. It all started in Central Park on June 22, 1901, when a group of people spotted rows of bright green rocking chairs along the park’s mall, near the casino. Usually in this same spot, stood rows of uncomfortable wooden hard benches, so it was a pleasure indeed for the park-goes to sit and rock and enjoy the wondrous summer day.